Digital live sound console has 64 mic inputs mapped across 2 sets of 16 faders with each set of faders having 4 independent banks to offer ultimate in fader layering flexibility. The onboard mic inputs are complimented with four dedicated stereo line channels and four dedicated FX returns from four internal stereo Lexicon FX processors offering full 80 inputs to mix from onboard I/O. Four 64x64 channel expander slots allow installation of further I/O sources including connection of Soundcraft and Studer stageboxes. Eight balanced insert sends and returns are provided along with vast bus count of 24 group/aux busses, 8 matrix busses and full complement of monitor talkback and main bus outputs. Buses may be freely assigned to any of option slots or 32 bus output XLR connectors which exist in addition to dedicated MIX and monitoring output XLRs. Every bus has dedicated 30-band BSS audio graphic equalizer, permanently patched in with no additional drain on DSP resource. Unique feature of Si3+ is inclusion of an analogue input or line-out for every bus, master, monitor and talkback function bar none. A direct out from every mono channel offers simple way to record every channel whether requiring this for later mix-down and production work or to use as virtual sound-check at next gig.
80 inputs to mix
64 mono mic inputs as standard
4 stereo inputs and 4 dedicated FX returns, plus 8 assignable external inserts
Remote Stagebox options with MADI connection
24 group/aux/FX outputs
8 Matrix outputs with sends from all group, aux, FX and main L/R/C busses
12 VCA groups and 8 independent mute groups
4-band fully parametric equalizer on every input and output, with HPF on every input
35 full 30-band BSS audio graphic equalisers
4 independent stereo Lexicon FX processors
Compressor and gate on every input, compressor on every output
Delay adjustable on every input and output
Metering for every group/aux/FX, masters and monitors/solo
Full DSP horsepower to handle all functions at any time
Required Computer Operating Systems - Other
Mic input to line output frequency response:
20Hz to 20kHz (+0/-1dB)
Stereo input to master output frequency response:
20Hz to 20kHz (0.5/-0.5dB)
Mic Input (maximum gain) to bus output THD+Noise:
0.008 % (1kHz, 10Hz to 22kHz)
Mic Input E.I.N, 22Hz to 22kHz bandwidth, unweighted:
<-126 dBu (150 Ohms source)
Residual Noise:
<-88 dBu
CMRR:
80 dB (at 1kHz Mic input)
Sampling Frequency:
48 kHz
Convertor Resolution:
24 bit
Mic Input to Bus output Latency:
<1 ms (at 48kHz)
DSP Resolution:
40-bit floating point
Internal Clock Accuracy:
< +/-50 ppm
Internal Clock Jitter:
< +/-5 ns
Mic Inputs Impedance:
6.8 kiloohms
Line Outputs Impedance:
<75 ohms
Wordclock Output:
BNC, 48kHz
Oscillator:
20Hz to 20kHz Sine/Pink Noise, variable level
Channel HP Filter:
18 dB per octave (22Hz to 1kHz)